World War I Galleries
16/08/14 12:03 Filed in: History
One of the most interesting sights and museums Bob and I have visited over the years is the Imperial War Museum in London. It was big and full of so much history. I remember the section on World War II where they kept playing Neville Chamberlain’s speech as Britain entered the second World War. The Museum has ben renovated in anticipation of the centennial of the start of their declaring war for World War I on August 4, 1914.
“A moonscape of craters, mud and shattered stumps fills a wall-sized video screen; you can hear shrieking shells and shattering blasts; an enormous British howitzer, meant to pulverize the enemy’s defenses, points toward the fields. The only thing missing in this gallery, devoted to the Battle of the Somme at the Imperial War Museum here, is the ability to conceive of 20,000 British dead and 37,000 wounded or missing in the first day of fighting, and more than a million casualties over all during five months.
It is one of the most powerful presentations at the new First World War Galleries here, suggesting that this seemingly futile battle was actually a turning point. These galleries, which replace an older presentation that was a classic for a generation, are also part of a $67 million rebuilding of the museum, completed in time to commemorate the centennial of Britain’s entry into the war. That occasion was somberly observed across Britain on Aug. 4 with moments of silence, extinguished lights and the scattered petals of red poppies — the war’s symbol of bloodied innocence and death.”
“A moonscape of craters, mud and shattered stumps fills a wall-sized video screen; you can hear shrieking shells and shattering blasts; an enormous British howitzer, meant to pulverize the enemy’s defenses, points toward the fields. The only thing missing in this gallery, devoted to the Battle of the Somme at the Imperial War Museum here, is the ability to conceive of 20,000 British dead and 37,000 wounded or missing in the first day of fighting, and more than a million casualties over all during five months.
It is one of the most powerful presentations at the new First World War Galleries here, suggesting that this seemingly futile battle was actually a turning point. These galleries, which replace an older presentation that was a classic for a generation, are also part of a $67 million rebuilding of the museum, completed in time to commemorate the centennial of Britain’s entry into the war. That occasion was somberly observed across Britain on Aug. 4 with moments of silence, extinguished lights and the scattered petals of red poppies — the war’s symbol of bloodied innocence and death.”
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